The Making Of An Acoustic Guitar - PART 4 | By Russell Rose

Russell Rose, the proprietor of Avandel Guitars, is making a Special AGW 000 Model, with walnut back and sides. We thought this would be an interesting opportunity to take you through the process of building a quality acoustic guitar. If you have any questions, or want to make general enquiries about Avandel Guitars, please contact Russell Rose

Fingerboard

The first stage in making the fingerboard is to prepare our fingerboard blank the blank is thickness and squared to a thickness of 6.35mm (1/4").



I like to slot the fingerboard at this stage, the position of the slots is absolutely critical, even a fraction out and the guitar will not play in tune

Next the fingerboard is tapered to suit the nut and saddle string spacing, and in this case a deduction is made to allow for the width of the fingerboard binding.

The Binding is now glued to the fingerboard; I like to insert small bits of plastic into the slots to keep them free of glue etc, whilst I work on the fingerboard.

Finishing the fingerboard
Once the fingerboard binding are dry the side position markers are added, any inlay is done and the board is radiused, at this point it is ready to be attached to the neck.

Many Factories cut their necks from 4" x 3" Blocks of timber; this suits the CNC machines they use to fashion their neck. I prefer to make my necks from 1" Timber in what is known as a stacked heel configuration. There are many advantages to this type of construction, the critical headstock area is stronger (I Started to explain why, but decided I would probably bore you all to death), A wider range of timbers can be used because some timbers are simply not available in 4" x 3" blocks, and it conserves timber, for the AGW Guitar we have chosen another native timber (Cherry) for the neck.

Most modern steel string guitars have a truss rod, the type I like to use are double action, which means they can induce a bow in the neck in either direction, another common type of rod is the Channel Rod or Martin Style Rod which sits in an Aluminium channel and requires a wooden spline between it and the fingerboard, these can only induce a bow in one direction.

Completing the neck

After installation of the truss rod the tenon for the joint to the body is cut, and the neck is then cut to its rough shape, and then the heel and shaft are shaped with a combination of spoke shaves, chisels, sanding blocks and elbow grease.

The fingerboard is then attached and the neck and body head for the finishing bay.

Completing the guitar

Once the finish has been applied the neck and body are assembled, then the fret board is fretted, and the bridge is then positioned and glued, tuners attached, setup and strung.

Here it is all finished and ready to provide years of faithful service, and sweet tone.

Many thanks for taking the time to read my articles, I realise that the articles give just a brief overview, and I have skimmed over many parts of the process. If you would like any further detail of the construction of my guitars please feel free to drop me a line.

I would like to say a big thank you to Andy Fellows of Prime Timbers for donating the timber being used to construct this AGW Guitar.

If anyone is looking for a quality supplier of excellent quality Tone Woods drop Andy a line by emailing, andy.fellows1@ntlworld.com, he is happy to deal with orders from the trade and hobby builders.

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Avandel Guitars are
handcrafted in Wales by
Russell Rose and endorsed
by the Acoustic Guitar
Workshop. In his
workshop near Swansea
Russell builds sumptuous
instruments that offer
superb value for money.
More details at
www.avandel.co.uk

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